Scrimshaw Gallery - TOURIST TRADE
Scrimshaw basically exists as three different qualities: artistic, journeyman, and (tourist) trade.

Most of the expensive antique scrimworks are precisely executed by known artists, but most antique scrimwork was scribed by the common whaleman, who had no formal training and not much natural talent.  The majority of whaler's work was for his own amusement, or as gifts to family.  Occasionally, a whaler quickly & crudely scribed a whale tooth for use as barter (trade) in port, usually for a bottle of rum, or other personal comfort considerations.

Today's scrimshaw climate is little different.  Collectors commission artists to scribe specific scenes onto specific teeth; journeyman scrimshanders produce scrimwork "on spec"(ulation), in hopes of selling such pieces at art shows, or on eBay, or through the artist's internet website.  Then there is the tourist trade: minimally scribed, highly repetitve images, made specifically to be sold as souvenirs to visiting tourists, in ports such as Horta in the Azore Islands, or along the boardwalks in New England cites, such as Mystic, New Bedford, and Nantucket.

Tourist-trade quality should not be confused with collectable scrimwork.  Much if it is "factory-produced" in cottage industries, or in small assembly-line fashion, where one group of worker prepare the ivory, a second group transfers images onto the teeth, another group scribes the images, and a finishing group ink and wipe the teeth.  Tourist-trade scrimwork may rise in value based solely on the ivory, but the scribed image will never be considered artistic nor of investment quality.  In fact, some scrimshawed whale teeth are worth more
after the scrimwork has been removed.

Another source of lower grade scrimwork is from former Soviet countries, such as Russia, Moldavia, and the Ukraine, where late 20th Century whaling provided stockpiles of Sperm whale teeth.  Russian artists have adapted to scribing on readily available ivory as a new source of income. Some are quite talented, while others are merely journeyman.

It is also evident in some recent scrimwork that the scriber did not do his or her homework, such as researching whale anatomy, nor proper whaleboat appointment, nor whaling ship configuration.  Such discrepancies are occasionally noted in the following typical "Tourist Trade" examples.
This New Bedford tourist item depicts an improbable fully-rigged ship on one side, and caricatures of a ship, a five-man whaling boat (six is minimal), and a fully exposed Sperm whale with a dorsal-positioned spout.
While these three scrimworks exhibit artistic talent, the Sperm whale above is too romantic, as is the accompanying seagulls.  The tooth on right exhibits a cross between a Spanish galleon and a warship rigged as a brig, and the Sperm whale looks like a children's book illustration.  While Sperm whales occasionally threw whaling boats into the air, the depicted Rorquel whale was far too timid.
Not much more than sketches, and not quite accurate.  Again, only five crewman depicted below.
These are examples of Chinese cottage industry manufacturing.

These crudely-patterned examples have been repeated hundreds of times on various shapes & sizes of ivory.
Many collectors consider these a sad waste of Sperm whale teeth.
Unrealistic wharf scene, signed "Frank M", on unknown matrix, 7-in x 4.12-in x 0.12-in.

Does anyone recognize signature?
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